Marek Sienkiewicz (born 1957) is a British painter working in East London.

Originally a figurative painter, during the pandemic and the absence of life models Marek has transitioned to the abstract concept and has produced some truly remarkable work.

Marek studied at UCNW Bangor and has a degree in Pure Mathematics.

ARTIST STATEMENT

My semi-abstract paintings are a visual exploration of the complex and multifaceted nature of existence. They are an invitation to step into a world where form, color, and line converge to tell stories that transcend the boundaries of words. Each canvas is a journey into the depths of emotion, a celebration of the beauty found in the abstract, and a testament to the power of art to connect us to the profound aspects of our shared human experience.

In my journey as a semi-abstract painter, I immerse myself in the interplay of form, color, and line. Through my work, I aim to convey the profound emotions and intricate narratives that can be found within the abstracted realms of our existence.

In my paintings, I explore form by deconstructing and reconstructing elements from the world around me. I seek to capture the essence of objects, places, or emotions, breaking them down into their fundamental shapes and then reconstructing them with my own visual language. The resulting forms become a bridge between the tangible and the abstract, inviting viewers to contemplate the deeper meanings hidden within the familiar.

I use color as a tool to create an emotional resonance within my work. Each hue, shade, and tone is carefully chosen to convey the mood and atmosphere of the piece. Through the juxtaposition of vibrant and subdued colors, I explore the tensions and harmonies that exist in our emotional landscape. My goal is to immerse the viewer in a sensory experience that transcends the boundaries of language.

I use lines to delineate form, create movement, and add depth to my compositions. In the interplay of straight and curving lines, I find a dance that reflects the rhythms of life itself. Lines also represent the pathways of our thoughts and emotions, the connections that tie us to our surroundings and to each other. Through the deliberate placement and gestural quality of my lines, I invite viewers to explore the narratives that emerge within the abstract.